MIDI/Sequencing Updates: The Steinberg development team has introduced some powerful new features in the MIDI and sequencing elements of their software. #Cubase 11 manual software#New tools include some impressive updates to the already powerful built-in sampler system, “Smart” scale detection that can be used to do some amazing things with your MIDI data, a built-in 8-band dynamic EQ, new software technology that allows plugins to accept multiple side-chains, and the ability to batch process multiple mixes and stems from one place. Here are the most compelling new features highlighted in Cubase. #Cubase 11 manual series#RELATED: See a video walkthrough of Cubase 11 here.Ĭubase 11 retains all of the fantastic features of its predecessor. It also improves on some of those elements and offers a series of new touches as well. Read on to see if this software is something I believe every music creator should experience. If you have yet to experience Cubase, well then, who cares what Steinberg calls it! There’s a whole lot to explore here.Īlready a Cubase 10/10.5 user? You’re going to be right at home with Cubase 11, and the new features will blend right into your current workflow. Steinberg’s additions include scale assistant, global tracks in the key editor, improved CC editing, a much improved pitch bend editor, job export queueing, an improved sampler track, built-in dynamic EQs, SpectraLayers One, and much more. While the jump from version 10 to 11 might feel less drastic than the changes from version 9 to 10, the improvements and tools are undeniably great. They have yet again developed new and updated tools that make the process of songwriting, music production, recording, mixing, film scoring, and composing easier. It’s no surprise that Steinberg has continued to push the envelope on what a DAW can do. From the Song Arranger track, which lets you hear a restructured arrangement of your song in real time, to something as simple as being able to “playlist” a tempo track, Cubase 10 was an incredible accomplishment for the Steinberg development team.Ĭubase 11 was released late last tear. Some of these features were minor, while others were downright astounding, and they were nearly all focused on making the process of music creation easier and more efficient. The software was loaded with features that were unmatched on other platforms. In 2018, Steinberg launched Cubase 10 which was a ground-up redesign of what a DAW should be. It’s an all-encompassing platform that was designed around the music creator. I won’t list them here, but go ahead, take the time to look up how the other major DAWs are branded. “Cubase Music Production System”-that’s how you’ll find Cubase branded on Steinberg’s website. It’s been just shy of 20 years since that MacWorld expo, and I’ve had Cubase installed on every studio computer I’ve owned since. It did everything I wanted as a songwriter/producer, and it was just so slick to work with. The software not only looked stunning, but it was intuitive. Steinberg had just launched Cubase SX, a ground-up remake of their DAW using the engine of their Nuendo post-production music suite. I remember being blown away by what Greg showed me. #Cubase 11 manual pro#I was a recent Berklee College of Music graduate frustrated by the cost of a Pro Tools system and the overly complex user interface of eMagic’s Logic. #Cubase 11 manual mac os x#Steve Jobs had just showed us how the world was taking in Mac OS X and that Apple had sold an (at the time) astounding 125,000 iPods after launching the ground-breaking portable music player the previous October. Steinberg not only has an intrinsic ability to adapt technology around the needs of their creative users, but they continuously develop tools that most of us didn’t even know we wanted.įull disclosure: I’ve been a Cubase user since I met Greg Ondo, Steinberg’s senior technical specialist, at the MacWorld Convention in San Francisco back in the winter of 2002. What has set Cubase apart is Steinberg’s relentless focus on pushing the envelope of what a DAW can and should do. Over the past 32 years, Steinberg has built up an ever-growing number of industry producers, engineers, composers, and sound designers who rely on their software professionally while also developing a loyal user base of consumers, hobbyists, and up-and-coming new professionals. You may be surprised to learn that Cubase first launched in 1989, running on an Atari ST Computer. If you happen to frequent any of the internet’s many pro-audio/recording forums, chat rooms, user groups, discussion boards, etc., you might find that Steinberg’s Cubase Music Production System is mentioned less than some of the other big names out there. Steinberg’s popular Cubase reached its 11th iteration late last year-Is it a necessary upgrade?
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